On 15.1.2019 Arkadia Society of Artists and Parliament Members organized a seminar with Globe Art Point, Culture for All and Centre for Cultural Policy Research Cupore, with the aim of raising debate on the conditions of cultural services and the possibilities of artwork for non-Finnish born artists and artists with disability.
You can find all the information and program in Finnish and English here.
The seminar was held in Finnish and interpreted simultaneously to English and Sign Language to the assistants. You can watch it on Arkadia Seura´s Facebook Page here.
The visual artist – Researcher and doctoral candidate at Aalto University Sepideh Rahaa, participated in the Seminar with a speech and a presentation as an expert and as a board member of Globe Art Point. you can find more about her
Is the Finnish art field diverse, open and equal? Speech by Sepideh Rahaa
Today I am
I want to emphasize here that when we discuss equity this word would need clarification as many people who hear it would not understand it to mean ‘fairness’! we cannot only imagine ourselves but we must shift our gaze outside the box, precisely because it allows us to consider ourselves not only as a single individual but as part of an ongoing historical movement. Some of us are more privileged not to face inequality in everyday life. Race, nationality, religion, gender and age among other factors play a significant role in our experience of inequality. I believe there are people in this room who do not see any or very few of those factors when they face themselves in the mirror. Privilege is invisible. It is indeed a luxury that some of us do not have to think about. That is how privilege works, it is invisible to those who have it. Privilege is when we make decisions that benefit enough people, but not all people. I would like to give you an example, please bear with me in imagining this scene: in July 2017 the last time I had to visit the migration office Migri, in Helsinki, the young woman behind the desk, clarified facts to me: First, my marriage to a Finnish citizen is not ‘fake’, second, I am a good citizen because I am a researcher and an artist who earns enough money, therefore I am worthy of being granted the next four years’ of permanent residency in Finland. I calmly listened to her, but what if I had none of those qualifications wouldn’t I be human enough to be worthy of it? Or last year, I was the only person from Aalto University’s team to be prevented from attending an artistic research conference at Tate Liverpool in UK, just because of the geography I come from! Years of effort in Finland and my permanent residency did not guarantee respect, equality or freedom of movement for me.
In the last two-years of investigation, conversations and seminars organized by Globe Art Point in collaboration with artists and Finnish institutions resulted in a clearer understanding of certain issues, seen here illustrated in this mind map. There are several factors which create inequality in the Finnish art scene, some of them are drawn here. Evidently, language is the most common barrier for many artists and cultural workers to be able to carry out their practice or to be part of the art scene. It creates insufficiency and a lack of accessibility at all levels for most of the fields. It does not allow Non-Finnish and Swedish speaking artists to have the same access to opportunities and essential information. That is a privilege, a luxury that many of us do not have.
Instead of the question: ‘Is the Finnish art field diverse, open and equal? I would like to invite us to
Speech edited by Edwina Goldstone.
- Sepideh Rahaa image by Jamie Culebro