I work with large-format abstract photography, exploring perception, gesture, and the limits of photographic representation through embodied camera movement and abstraction grounded in reality. Drawing on a background in painting, branding, and visual communication, I develop what I define as metaphotography: an artistic approach that shifts photography from depiction toward perceptual experience. Alongside my visual practice, I write theoretical and analytical essays on photography, perception, and the changing role of the image in the AI age. My works are produced as large-scale, single-edition prints where scale and materiality become part of the viewing process.
